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Part of Mark's studio practice is maintaining spontaneity by making large-scale gestural ink paintings. He has to splash a lot of ink around to work out the compositions and keep his work lively. Working on big newsprint keeps the product from becoming precious, and makes "the process" primary. Artistic discoveries and (hopefully) some of that dynamic spirit are translated into finished works on clay and archival papers. Some of these big sketches becomes giftwrap or packing materials. Others are "offerings".